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The purposeful dismantling of the modernist myth has been the central issue of contemporary art making and art criticism. The tenements are documented by photographer Jacob Riis and the socially conscious Ashcan School.

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Waves of immigrants in the early 20th century bring both their old culture and a thirst for the new.

Artists of the WPA celebrate the worker as hero, while Jacob Lawrence tells stories of black America, and ambitious New Deal projects like Hoover Dam project self-confidence in hard times.

Also examines the work of Raymond Hood, Edward Hopper, Stuart Davis, and Grant Wood. After the post-war era, Hughes traces the development of abstract expressionism and the life of Jackson Pollock, and explores how artists as different as James Rosenquist, Claes Oldenburg, Mark Rothko, Barnett Newman, David Smith, Willem De Kooning, Robert Rauschenberg, Romare Bearden, Joseph Cornell, Andy Warhol and Jasper Johns reacted to the new consumer culture. This final segment explores how American art has reflected the upheavals of the last 25 years.

Hughes traces the evolution of abstract art and minimalism and considers the spiritual richness of earth works, in which nature is the artist's medium.

He ends the series by profiling a wide range of contemporary artists including Edward Kienholz, Donald Judd, Richard Serra, Walter De Maria, Robert Smithson, Bruce Nauman, Richard Diebenkorn, Philip Guston, Andy Warhol, Jeff Koons, Susan Rothenberg, Eric Fischl, Louise Bourgeois and James Turrell.

Video/C 4782 An exhibit at New York's Museum of Modern Art titled "High and low", traces the historic relationship between modernist art and low or mass culture.

Examples of early 20th century avant-garde works are seen with later examples accompanied by commentary of artists James Rosenquist, Jenny Holzer, Jeff Koons, Roy Lichtenstein, Elizabeth Murray and others.

Centered around a walk-through of the show with its curators Kirk Varnedoe and Adam Gopnik, the film explores the question of the fate of avant-garde art in mass cuture.c1991. Video/C 9104 Compilation of new media artworks from the 2003 Boston Cyberarts Festival. socio-cultural trends-- specifically in the San Francisco Bay region-- influenced by punk culture and computer and other advanced technologies.

The artists featured represent sound, performance, video, kinetics and digital art. Features an interview with William Gibson, science fiction writer whose concepts have become a part of real life in the technology and culture of recent years.

Contents: Attainment / Christy Georg () -- 3speed 2000 () / Ravi Jain -- The memory of your touch / Henry Kaufman () -- Irrigation / Peter Tucker () -- Language extension #4 / David Webber (). Topics covered include: virtual reality, hacking & piracy, art & fashion, industrial music, and mind machines & cyborgs. Video/C 2907 An interview with the independent filmmaker Paul Morrissey.

Well-focused, the commentary is voiced over an array of rare still photos and archival documentary footage of himself, Warhol, the Factory and its many players. DVD 6297 The first Futurist film ever made, "Vita Futurista" was created in 1916 by Arnaldo Ginna and other artists. Now, an extraordinary group of contemporary film and video artists create a brand new version for the twenty-first century. G89 2002 Non-circulating; may be used only in Graduate Services) Virtually the only available example of a situationist use of cinema, this martial arts film presents a teacher and students of a Korean martial arts school pitted against Japanese invaders.

"We learn a number of interesting things about the milieu of the Factory, the making of the films, and the way in which Andy approached life as one continuous photo opportunity." 2005. DVD 6384 Filmed profile of Amos Vogel, 82-year old New York resident and Austrian emigre, founder of the New York Film Festival and America's most important film society, Cinema 16. Featuring the work of: Trisha Baga, chameckilerner, Martha Colburn, Ben Coonley, George Kuchar, Lynn Hershman Leeson, Shana Moulton, Shannon Plumb, Aida Ruilova, Matthew Silver and Shoval Zohar (The Future), Michael Smith. DVD X7164 This program looks at postmodernism as reflected in architecture and art. Originally produced in Hong Kong, it was rewritten in French as a situationist political philosophical allegorical struggle between village proletarians and bureaucrats.

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